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Pictorial Ditionary of British 19th Century Furniture Design

Автор:   B. S.
твердый переплет
632 страниц
1999 год
Издательство:   ACC Distribution
Цена:
4491 руб
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Описание:The nineteenth century produced dozens of independent designers, particularly towards the end of the period. The Dictionary is made up from forty-nine contemporary design and pattern books issued by manufacturers such as Heal s, Smith, Tatham, King, Pugin, Morris and Liberty s. Each piece of furniture has been sorted into its physical characteristics (e. g. table with three legs) so that it is only necessary to glance down the list of contents to identify into which category any particular piece belongs. The complexity of the subject is best explained by a very large number of illustrations and this is the reason why some 6,000 appear within this book. As the furniture trade developed, so manufacturers and retailing split. Competition between retailers and the use of the new design books resulted in a large number of designs, not only new ones but also a constant looking backwards to earlier centuries for inspiration. Within each category the pieces are arranged in chronological order so that the evolution of each type is clearly seen. This change in the structure of the industry made full use of highly individual interpretations of Gothic, Renaissance, Elizabethan, Naturalistic styles, Egyptian, Old French, Louis XIV, Louis XV and Italian decorations, all applied to a wide variety of furniture. This Pictorial Dictionary, the first major study on the wide range of furniture produced in this century, is the standard work of reference on the subject. Catalogues began to be used in retail shops as they are today.


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Jamie, he believed, would back us. The government principalsБЂ”Ben, Tim, Sheila, John Dugan, and IБЂ”met one final time to go over the plan, deciding who would say what. When the nine bankers arrived at Treasury for the 3:00 p.m. meetingБЂ”walking up the Treasury steps past a phalanx of TV cameras and photographersБЂ”we had our plan down cold. Once inside, they were directed to my large conference room. IБЂ™d had so many meetings in this room that its splendor and idiosyncrasiesБЂ”the 19th-century furniture and chandeliers, the framed currency and tax seals on the oiled walnut wallsБЂ”had become almost as familiar as my living room. But I wondered if our visitors found it strange to be working out 21st-century problems in such a historic setting and beneath the portraits of George Washington and Abraham Lincoln. We took our seats at the long table, with Ben, Sheila, Tim, John, and me on one side, and the CEOs sitting across from us, arranged alphabetically by bank. Fortunately, given their dispute over Wachovia, this meant that CitiБЂ™s Pandit and WellsБЂ™s Kovacevich were at opposite ends of the table ...»

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