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Blood Red, Snow White - A Novel of the Russian Revolution

Автор:   Marcus S.
мягкая обложка
304 страниц
2008 год
Издательство:   Orion Books
640 руб
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Описание:Set at the time of the Russian Revolution, the end of a centuries old dynasty, the rise of the Bolsheviks sent shockwaves around the world. This is the story of one man who was there. It's real history - about the riches and excesses, the glory of the Russian nobility, Nicholas and Alexandra, their haemophiliac son, Alexei, notorious Rasputin, Lenin and Trotsky who ruled from palaces where the Czars had once danced till dawn. The man was real too, his name was Arthur Ransome. He was a writer, accused of being a spy, perhaps even a double agent, and he left his wife and beloved daughter and fell in love with Russia and a Russian woman, Evgenia. Fictionalising history and blending it with real life, part i is told as a fairy tale. Wise and foolish kings, princesses, enchantresses (characters more suited to fairy tale than reality), wishes and magic, Russia with its vast cold plains and mighty cities, its riches and poverty, all play a part in the downfall of the Czars and rise of the new order. Part ii is about betrayal - Ransome the spy, bleak and threatening. Part iii is a love story, a fairy tale, ending - of Ransome's love for his daughter, Tabitha, and for Evgenia.

Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка

2990 руб
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The Columbia History of the American Novel

Both Snow White and the subsequent The Dead Father construct their situations around well-known, nearly archetypal stories, and both divest archetype of its seriousness, throwing the ideological implications into sharp relief. In a sense, Barthelme has decomposed cultural myths and recomposed them entirely of dreck: the result is at once deflating and curiously satisfying. Like Pynchon, Coover in The Public Burning, and DeLillo in Libra, Ishmael Reed writes experimental novels that reinscribe United States history as a record of conspiracy. The Free-Lance Pallbearers (1967) sets up the terms of an opposition that recurs in Yellow Back Radio Broke-Down (1969), Mumbo Jumbo (1972), The Last Days of Louisiana Red (1974), and Flight to Canada (1976), in which a repressive white power structure attempts to put down a polytheistic and multicultural counter-society. Reed marshals impressive documentation in support of this vision of postindustrial America as the end product of a series of suppressions, managed by the dominant Western culture because of this culture's ascetic rationalism, commitment to the technologies of annihilation, and envy of people able to enjoy themselves ...»

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