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Nelson Thornes Framework English Access Skills in Non-Fiction 3

Автор:
мягкая обложка
112 страниц
2005 год
Издательство:   Nelson Thornes
Цена:
545 руб
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Описание:"Access Skills in Fiction and Non-Fiction" offers the rigour and support necessary to raise the attainment of pupils struggling at Level 4, or at Level 3. It is also suitable for Level C-D in Scotland. "Twin Students Books" offering students all the support necessary to access top quality fiction and non-fiction texts, transform their own writing. It follows a clear and predictable structure to improve students' levels of achievement, following Word, Sentence and Text Level priorities within the Framework for Teaching English. The comprehension exercises alongside the extracts ensure that students have understood the text before progressing further. Highly appealing illustrations not only provide visual interest, but also provide specific guidance with the writing assignment. Can be used flexibly either with lower ability groups exclusively, or in mixed ability classes alongside the mid to higher ability series: "Nelson Thornes Framework English". The stimulus extracts follow the same unit themes as the higher ability extracts, but are abridged, shortened or completely new. It employs a 'spiral' curriculum, in which skills are revisited and confidence is built.


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2990 руб
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Essays

I bring books because if the world gets boring I need to be able to slip into another distilled by some writer. It's like eating jam when you know you should be eating fruit. There is a point where I'll do without books. I was walking in some steep mountains once, and decided I'd rather just think, if I was bored, rather than carry a single unnecessary ounce. It wasn't so bad. I found I could entertain myself by having ideas instead of reading other people's. If you stop eating jam, fruit starts to taste better. So maybe I'll try not bringing books on some future trip. They're going to have to pry the plugs out of my cold, dead ears, however. Copy What You Like When I was in high school I spent a lot of time imitating bad writers. What we studied in English classes was mostly fiction, so I assumed that was the highest form of writing. Mistake number one. The stories that seemed to be most admired were ones in which people suffered in complicated ways. Anything funny or gripping was ipso facto suspect, unless it was old enough to be hard to understand, like Shakespeare or Chaucer. Mistake number two ...»

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