|
The Columbia History of the British NovelAs though she stepped from the pages of an eighteenth-century romance by Eliza Haywood or Aphra Behn, she has been seduced, abandoned, and left pregnant. She knocks on the door of Galesia's refuge while fleeing parish officers across the rooftops of London. Galesia's mother forbids her daughter further use of her garret retreat for fear that she might encounter, even in a passive way, similar or even more «pernicious» "Adventures." Thus even though Galesia herself resists the love plot of marriage or "ruin," her flight from that plot is obstructed by the sexuality that she must deny in order to «rise» as a writer. This scene hints rather broadly at the personal and professional struggles of many eighteenth-century women writers, and it has a good deal of relevance for women in the late twentieth century who seek to define themselves, in a traditionally masculine way, through their work rather than their sexuality. Barker's fiction suggests that women's sexuality is the force that ultimately gives their lives its shape and meaning ...» |
Код для вставки книги в блог HTML
phpBB
текст
|
|