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Coming Home to the Self through Freeing the Singing Voice. A Qualitative Study of the Psycho-emotional Experience of Singers, Focusing on the Mind-body Connection, Identity Development, and Shame

Автор:
мягкая обложка
208 страниц
2008 год
Издательство:   Книга по Требованию
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3231 руб
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Описание:The power of this process is a surprise to many singers, particularly when it brings them face to face with their vulnerable selves, need for control, deepest fears, or crippling shame. Freeing the voice can intimately connect us to our breath, bodies and emotional lives, and bridge the gap between mind and body, and heal splits between thinking and feeling. Prominent themes are breathing, the role of the teacher-student relationship in the development of a singer, fear of judgment, shame, sexual identity, risk taking, confidence, and letting go of control. When asked to describe a time of significant vocal change, every singer interviewed for this qualitative research project answered with personal stories, not vocal techniques. Trauma, divorce, a death in the family, abuse, illness, identity confusion, and depression were cited as causes of vocal tension. Singing is a doorway to one's deepest self. Working through these struggles paralleled their move towards vocal freedom. 'Coming Home to the Self' is an interdisciplinary study blending self-psychology, theology, and vocal theories to map the psychological, emotional, spiritual, and vocal journeys of several singers.


Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка

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Dave Barry’s Greatest Hits

If you don’t believe me, go to your local racquetball club and observe the difference between the way men and women play. Where I play, the women tend to gather on the court in groups of random sizes—sometimes three, sometimes five, as if it were a Jane Fonda workout—and the way they play is, one of them will hit the ball at the wall and the rest of them will admire the shot and compliment her quite sincerely, and then they all sort of relax, as if they’re thinking, well, thank goodness that’s over with, and they always seem very surprised when the ball comes back. If one of them has the presence of mind to take another swing, and if she actually hits the ball, everybody is very complimentary. If she misses it, the others all tell her what a good try she made, really, then they all laugh and act very relieved because they know they have some time to talk before the ball comes bouncing off that darned wall again. Meanwhile, over in the next court, you will have two males wearing various knee braces and wrist bands and special leatheroid racquetball gloves, hurling themselves into the walls like musk oxen on Dexedrine, and after every single point one or both of them will yell “S-!” in the self-reproving tone of voice you might use if you had just accidentally shot your grandmother ...»

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