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Representation of the Body in Polish Art after 1989. Towards a history of Polish art after 1989

Автор:   Katarzyna P.
мягкая обложка
88 страниц
2008 год
Издательство:   Книга по Требованию
2005 руб
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Описание:It explores the approach of artists towards the subject of individuality; specifically, and investigates the gendered body as material for art. Analyzing works of art produced by various Polish artists after 1989, the author proves that they use the body as a medium for recording the changing condition of the individual in Poland. Works by Kozyra, Kulik, ? ebrowska and ? mijewski are shown in the context of the shift from the singualrity and inclusiveness of the category ”body” the multiplicity and plurality of subject positions, and art becoms a cultural strategy that modifies and extends the range of existing cultural categories, adopting them to the particular anti-patriarchal and anti-exclusionary interests. The book focuses on representations of the body in contemporary Polish art. The central claim is that art produced in Poland after 1989 is a documentation of a process – the process of the reestablishment of art within the nation.

Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка

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Chariots of the Gods

Following up the implications of this Utopian idea one can see the terrifying vision of an army of deep-frozen soldiers who will be thawed out as necessary in case of war. A really horrifying idea. But what connexion have mummies with our theory of space travellers in the remote past? Am I dragging proofs in willy-nilly? I ask: how did the ancients know that the body cells continue to live slowed down a billionfold after special treatment? I ask: where did the idea of immortality come from and how did people get the concept of corporeal reawakening in the first place? The majority of ancient peoples knew the technique of mummification and the rich peoples actually practised it. I am not concerned here with this demonstrable fact, but with solving the problem of where the idea of a reawakening, a return to life, originated. Did the idea occur to some king or tribal prince purely by chance or did some prosperous citizen watch 'gods' treating their corpses with a complicated process and preserving them in bomb-proof sarcophagi? Or did some gods (= space travellers) transmit their knowledge of how corpses can be reawakened after a special treatment to a quick-witted prince of royal blood? These speculations require confirmation from contemporary sources ...»

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How do the prices achieved for these art works reveal underlying meanings?
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