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Prisoners of Gender: A new approach to British cinema of the 1950s Women in the Films of J. Lee Thompson.

Автор:   Melanie W.
мягкая обложка
252 страниц
2009 год
Издательство:   Книга по Требованию
3231 руб
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Описание:When the director J. Lee Thompson died in 2002, his obituaries gave little indication that he might ever conceivably be regarded as a ' woman' s director' - unsurprisingly given his expertise in macho films such as 1961' s The Guns of Navarone and Cape Fear. These range from the women' s prison films The Weak and the Wicked (1954) and Yield to the Night (1956), both starring Diana Dors, to the tale of domestic disaster Woman in a Dressing Gown (1957); from the war film that finds room for a central female character, Ice Cold in Alex (1958) and the depiction of 1930s slum life No Trees in the Street (1959), to an optimistic farewell to Britain before departing for Hollywood (as well as Hayley Mills' ebullient debut film) Tiger Bay (1959). Melanie Williams makes a case for the significance of these films to British cinema in terms of their unusual representations of femininity, with female protagonists who are ' prisoners of gender' struggling to get free. However, during the first 10 years of his directorial career in Britain, Thompson made a number of striking films which examined a rich variety of female experience.

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The Tipping Point

EIGHT Conclusion FOCUS, TEST, AND BELIEVE Not long ago a nurse by the name of Georgia Sadler began a campaign to increase knowledge and awareness of diabetes and breast cancer in the black community of San Diego. She wanted to create a grassroots movement toward prevention, and so she began setting up seminars in black churches around the city. The results, however, were disappointing. "There'd be maybe two hundred people in church, but we'd get only twenty or so to stay, and the people who were staying were people who already knew a lot about those diseases and just wanted to know more. It was very discouraging." Sadler couldn't get her message to tip outside of that small group. She realized she needed a new context. "I guess people were tired and hungry after the service," she says. "We all have a busy life. People wanted to get home." She needed a place where women were relaxed, receptive to new ideas, and had the time and opportunity to hear something new. She also needed a new messenger, someone who was a little bit Connector, a little bit Salesmen, and a little bit Maven ...»

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380 руб
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I find evidence in support of capital-skill complementarity during the 1990-2001 period.
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