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A Narrative Approach to the Identity of the Beloved Disciple. Historical Person, His Role in the Gospel, and Relationship with the Author

Автор:   AN S.C.
мягкая обложка
144 страниц
2009 год
Издательство:   Книга по Требованию
2413 руб
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Описание:The Fourth Gospel says that the Beloved Disciple testified and wrote the Gospel. One approach of previous research focused on whether BD is John the apostle or another disciple. The other approach focused on the function of the chracterization of BD. There was a gap between the two approaches. Accordingly, making the identity of BD clear may be meaningful. However, BD is not clearly identified in the Gospel. This approach should help shed some light on understanding the authorship of the Fourth Gospel and should be helpful to everyone, including students, churchmen, and scholars, who may have a great concern to know the identity of BD. The former was not concerned with the characterization of BD, while the latter not with the identity of BD. However, this researcher seeks to fill this gap, in addition to analyzing the identity of BD. This research reveals that the evangelist, John the apostle, cast BD in the Fourth Gospel by characterizing himself as an idealized disciple, a model for the believer.

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He demonstrated some common features of poetic imagery, peculiarities of «metaphorical» imagination oriented in some way or other to the surrounding world of nature. However, mythological reductionism brings Frye to treat literary historic forms as «masks». His genre-myth correlations are unjustifiably strict, even to the point where the evolution of literature becomes the circular movement from myth (origin myth) to myth (modernistic myth). The influence of Frazer's cyclical notion is felt here, as well as an infatuation with the myths about dying and resurrecting gods and Jung's concentration on heroic myths. This often leads him to underestimate the role of creation myths. In reality myths may develop into «art» in different ways, depending on the genre. Frye's opposition between metaphorical identity and analogous structures has many productive ramifications. Several Soviet theorists of the twenties and thirties brought new insights to the problem. They anticipated much of the «myth-ritual» approach and structural-semantic analyses, sticking at the same time to strictly historical (evolutional, diachronic) context, fo-cussing upon the world view (even in ritual analyses), stressing in every way the position of folklore as an intermediate link between myth and literature ...»

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