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Искусство Искусство
Искусствоведение Искусствоведение


Creative Lives and Creative Work in Context Expatriate Experience and American Women Artists.

Автор:   Mary A.R.
мягкая обложка
256 страниц
2009 год
Издательство:   Книга по Требованию
3231 руб
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Описание:This book speaks to the educators of artists and to those intrepid American art students going abroad who believe cultural exposure to be fundamental to their artistic development. Candid about their quests for artistic and creative identities, analysis further illuminates how the journey becomes the experience and concludes with implications for art education. Paris based Laurie Karp, Grace Renzi, and Kate Van Houten, and Stockholm based Rachelle Puryear. Contemporary American expatriate artists reveal ambivalent attitudes toward mobility, identity, and global culture. More than an historical overview of American women artists abroad, this book draws upon developmental theory and studies of creativity to explore artists’ uses of experience, and deconstructs expatriate experience by weaving theory of intercultural adaptation and migration with women artists’ own descriptions of their search for identity. Central to the research are four case studies constructed with oral history narratives that examine the impact of expatriate experience on four American women artists:

Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка

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The Oyster, Volume III

Cousin Algernon had managed to give the impression of a woman panting and-heaving with her exertions, her breasts swaying and shaking as she turned the mangle while her skin glowed and there was the sheen of perspiration on her body. I noticed that the preponderance of the people at the viewing were men, and men of a middle aged and generally prosperous men. I was told by an elderly man, who claimed some knowledge of things artistic, that Cousin Algernon had successfully created a small fashion among the cognoscenti for such scenes of domestic undress. A number of fellow artists, all living and working nearby in north London, had followed his lead. Known in the art world as the Crouch End School, they had a growing and enthusiastic band of collectors quite clamouring of their works. Of course, my informant confided in me, many of the academic critics poured scorn on the Crouch End School. Mr. Ruskin had described Cousin Algernon's work as 'A battery of buttocks, thrust into the Public's face' while the Academy steadfastly refused to hang his pictures ...»

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