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Napoleon also plundered the art and treasures of the city, just as Venice had plundered Constantinople and the dominions of its empire. There is something apposite about the transference of the four bronze horses to Paris; they had been snatched by Venetians from Constantinople six hundred years before. They were always the spoils of victory. Then Napoleon bartered Venice itself. In the autumn of 1797 he handed it to the Austrians as part of the Treaty of Campo Formio. Eight years later, having defeated the Austrians, he took it back. In 1805 it became part of his unified kingdom of Italy. For Venice, accustomed to stand apart from the mainland, this was a further humiliation. It had never played any part in the burgeoning national consciousness of the Italians, and only reluctantly accepted its status as a peripheral part of a nation. In 1814 the city again returned to the control of Austria. It suffered these changes of regime with docility. It bowed its head. It was now a spectator of its own fate. At the beginning of the nineteenth century Napoleon had instituted a policy of public works ...»

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De luxe catalogue of the art and literary treasures collected by the late General Brayton Ives, of New York, to be disposed of at unrestricted public sale .. Ives B. http://www.booksiti.net.ru/books/19347000

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Illustrated catalogue of an exceptionally important collection of rare and valuable Japanese color prints together with a few paintings of the Ukiyoe school: ... at unrestricted public sale at the American
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