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The History of Rome. Book IIISo far as the minor poetry makes its appearance at all, it presents itself ordinarily, and that as early as the time of Naevius, under the name of satura. This term was originally applied to the old stage-poem without action, which from the time of Livius was driven off the stage by the Greek drama; but in its application to recitative poetry it corresponds in some measure to our "miscellaneous poems", and like the latter denotes not any positive species or style of art, but simply poems not of an epic or dramatic kind, treating of any matters (mostly subjective), and written in any form, at the pleasure of the author. In addition to Cato's "poem on Morals" to be noticed afterwards, which was presumably written in Saturnian verses after the precedent of the older first attempts at a national didactic poetry[52], there came under this category especially the minor poems of Ennius, which that writer, who was very fertile in this department, published partly in his collection of saturae, partly separately. Among these were brief narrative poems relating to the legendary or contemporary history of his country; editions of the religious romance of Euhemerus[53], of the poems dealing with natural philosophy circulating in the name of Epicharmus[54], and of the gastronomies of Archestratus of Gela, a poet who treated of the higher cookery; as also a dialogue between Life and Death, fables of Aesop, a collection of moral maxims, parodies and epigrammatic trifles - small matters, but indicative of the versatile powers as well as the neological didactic tendencies of the poet, who evidently allowed himself the freest range in this field, which the censorship did not reach ...» |
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