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LifeIn the back of my mind I always thought it would be really interesting to work with him. Let's start with a bit of flattery from Tom Waits. It's a beautiful review. Tom Waits: We were doing Rain Dogs. I was living in New York at the time, and someone asked if there was anybody I wanted to play on the record. And I said, how about Keith Richards? I was just kidding around. It was like saying Count Basie or Duke Ellington, you know? I was on Island Records at the time, and Chris Blackwell knew Keith from Jamaica. So somebody got on the phone, and I said no, no, no! But it was too late. Sure enough, we got a message: "The wait is over. Let's do it." So he came to RCA, a huge studio with high ceilings, with Alan Rogan, who was his guitar valet, and about 150 guitars. Everybody loves music. What you really want is for music to love you. And that's the way I saw it was with Keith. It takes a certain amount of respect for the process. You're not writing it, it's writing you. You're its flute or its trumpet; you're its strings ...» |
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