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Что мы называем культурой Что мы называем культурой
Искусство Искусство


Fashion Designers at the Opera

Автор:   Matheopoulos H.
твердый переплет
192 страниц
2011 год
Издательство:   Thames&Hudson
3348 руб
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Описание:Fashion and opera are natural arenas for collaboration. Costume designs for many well-loved operas including Don Giovanni, Lucia di Lammermoor, Carmen, Aida, Thai s, Agrippina, Cosi fan tutte, Attila, and The Magic Flute are featured. Helena Matheopoulos s interviews with many of the designers illuminate the journey that led each to the opera and the challenges of working in a demanding new medium. In 2009 2010 alone, Viktor & Rolf, Miuccia Prada, Emanuel Ungaro, and Christian Lacroix made successful sorties as costumers for operas in New York, Baden-Baden, Naples, and Berlin. In this sumptuous new book, leading figures in the world of fashion Giorgio Armani, Marc Bohan, Christian Lacroix, Karl Lagerfeld, Ottavio and Rosita Missoni, Miuccia Prada, Zandra Rhodes, Emanuel Ungaro, Gianni Versace, and Viktor & Rolf are profiled, together with illustrations of their costume designs. The opera houses commissioning the costume designs include La Scala, the Metropolitan Opera, the The a tre Royal de la Monnaie, the Are nes de Ni mes, the Royal Opera House in Covent Garden, and the San Diego Opera, among many others. Hundreds of color illustrations include original designers sketches, photographs of the finished costumes, and images of the actual productions, many of which feature breathtaking stage sets as well.

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The Tipping Point

In 1996, Hush Puppies won the prize for best accessory at the Council of Fashion Designers awards dinner at Lincoln Center, and the president of the firm stood up On the stage with Calvin Klein and Donna Karan and accepted an award for an achievement that — as he would be the first to admit — his company had almost nothing to do with. Hush Puppies had suddenly exploded, and it all started with a handful of kids in the East Village and Soho. How did that happen? Those first few kids, whoever they were, weren't deliberately trying to promote Hush Puppies. They were wearing them precisely because no one else would wear them. Then the fad spread to two fashion designers who used the shoes to peddle something else — haute couture. The shoes were an incidental touch. No one was trying to make Hush Puppies a trend. Yet, somehow, that's exactly what happened. The shoes passed a certain point in popularity and they tipped. How does a thirty-dollar pair of shoes go from a handful of downtown Manhattan hipsters and designers to every mall in America in the space of two years? 1 ...»

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