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Danse MacabreAnalysis is a wonderful tool in matters of intellectual appreciation, but if I start talking about the cultural ethos of Roger Corman or the social implications of The Day Mars Invaded the Earth, you have my cheerful permission to pop this book into a mailer, return it to the publisher, and demand your money back. In other words, when the shit starts getting too deep, I intend to leave the area rather than perform in accepted English-teacher fashion and pull on a pair of hip-waders. Onward. 4 There are any number of places where we could begin our discussion of "real" fears, but just for the fun of it, let's begin with something fairly off the wall: the horror movie as economic nightmare. Fiction is full of economic horror stories, although very few of them are supernatural; The Crash of '79 comes to mind, as well as The Money Wolves, The Big Company Look, and the wonderful Frank Norris novel, McTeague. I only want to discuss one movie in this context, The Amityville Horror. There may be others, but this one example will serve, I think, to illustrate another idea: that the horror genre is extremely limber, extremely adaptable, extremely useful; the author or filmmaker can use it as a crowbar to lever open locked doors or as a small, slim pick to tease the tumblers into giving ...» |
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