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British Models of Art Collecting and the American Response: Reflections Across the Pond

твердый переплет
2014 год
Издательство:   Taylor and Francis
8115 руб
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Описание:Approximately half the essays examine the trends and market forces that dominated the British art collecting scene of the nineteenth century, such as the Orlé ans sale and the shift away from aristocratic collections to those of the new urban merchant class. The essays that focus on American collectors use biographical sketches of collectors and dealers, as well as case studies of specific transactions to demonstrate how collectors in the United States embraced and embellished on the British model to develop their own, often philanthropic approach to art collecting. Unlike most of their Continental European counterparts, the English and Americans have historically been exceptionally open to collecting the art made by and for other cultures. Collectively, they examine points of similarity and difference in the approaches to art collecting practiced in Britain and the United States. At the same time, they developed a tradition of opening private collections to a public eager for educational and cultural advancement. British Models of Art Collecting and the American Response - Reflections Across the Pond presents 14 essays by distinguished art - and cultural - historians.

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The Columbia History of the American Novel

The men, on the other hand, sold modestly or poorly in their lifetimes and felt estranged from the market, yet they forged an individualized conception of literature as "high" art, as a separate realm analogous to the newly theorized category of the economic. Washington Irving and James Fenimore Cooper, fiction writers who came of age in the 1820s, prefigured the allegiances and contradictions of their canonical successors. Of the important male artists active in the mid-nineteenth century, only these two were born in the previous century and attained adulthood before the War of 1812. Performing a complex dance of equivocation, they advanced into the commercialized future while preserving essential characteristics from the preprofessional, foreign-dominated past. The two men were regarded in their own time as imitators of British models: Cooper as the American Scott, Irving as the American Lamb. Irving's international -57- hit, The Sketch Book of Geoffrey Crayon, Gent. (1819-20), is suffused with Anglophilia and announces its superiority to the market in its title ...»

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