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Государство и право Государство и право
Теория государства и права Теория государства и права

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The Future of Copyright and Artist Rights in the Music Industry. An Examination of the Artist/Record Label Relationship, and How Musicians Will Make a Living in the Digital Age

Автор:   Kurt D.
мягкая обложка
152 страниц
2009 год
Издательство:   Книга по Требованию
Цена:
2413 руб
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Описание:This book investigates whether artists still need the services offered by record labels, and if so, how the relationship between the two parties is changing. The technologies that record companies blame for the downturn in retail music sales – computers, CD burners and the Internet – are now allowing musicians to do more of the things that record labels used to, without selling their souls in the process. Further, it examines the value that copyright law will have for both parties in the years to come. The question begs to be asked: do artists need record labels at all in a digital world? Since the turn of the century, the value of copyright in the music industry has become threatened, as identical and free copies can be made of any piece of music in literally a few seconds. As CD sales plummet and fans continue to obtain music for free online – or tune in to their favorite bands via YouTube, MySpace and other Internet forums – the question is a valid one to say the least. This work is essential reading for musicians, music fans, and those connected to the music industry in any way.


Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка Orthomol Immun Junior Сила иммунитета на страже Вашего ребенка

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Ipsos-Insight, TEMPO: Keeping Pace with Online Music Distribution (сентябрь 2002). В отчете указывается, что 28% американцев в возрасте двенадцати лет и старше загружали музыку из интернета, а 30% слушали цифровые музыкальные файлы на своих компьютерах. 113 Amy Harmon, «Industry Offers a Carrot in Online Music Fight», New York Times, 6.06.2003, A1. 114 См. Liebowitz, Rethinking the Network Economy,14849. 115 См. Cap Gemini Ernst & Young, Technology Evolution and the Music Industry's Business Model Crisis (2003), 3. Данный отчет – о попытке музыкальной индустрии заклеймить нарождавшуюся в 70-х гг. практику кассетной записи, в том числе при помощи рекламной кампании с использованием рисунка черепа в форме кассеты и надписи «Домашнее копирование убивает музыку». Когда возникла угроза со стороны цифровых кассет, Бюро технической экспертизы провело исследование потребительской практики. В 1988 году 40% потребителей старше десяти лет записывали музыку на кассеты. Конгресс США, Бюро технической экспертизы, Copyright and Home Copying: Technology Challenges the Law, OTA-CIT-422 (Washington, D.C.: U.S ...»

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